San Diego Early Music Society

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  • Home
  • About
    • About Us
    • Artists
    • Press
    • Board of Directors
  • 2021/2022 Season
    • Concerts >
      • The Gesualdo Six
      • Profeti della Quinta
      • Barton Pine Vinikour
      • Jordi Savall
      • Ensemble Jupiter
      • The Dunedin Consort
      • Ensemble Correspondances
    • Tickets >
      • COVID-19 Protocols
    • Venues
  • Gallery
    • 2019-2020 Concerts
  • Support Us
    • Donate
    • Volunteer
  • Contact
Welcome to the San Diego Early Music Society!
Coming up: 
Sunday |  May 8, 2022  |  7:30pm
St. James by-the-Sea  |  La Jolla


The Pleasures of the Louvre
ENSEMBLE CORRESPONDANCES
Sébastien Daucé, harpsichord, organ and direction

Caroline Weynants, Perrine Devillers, dessus (soprano)
Marie-Lou Jacquard, bas-dessus (alto)
Vojtech Semerad, Paul Figuier, haute-contre (high tenor)
Thibault Givaja, Antonin Rondepierre, taille (tenor)
Etienne Bazola, basse-taille (baryton)
Renaud Bres, basse (bass)
Josephe Cottet, Simon Pierre, violin
Lucile Perret, flute
Louise Bouedo, Etienne Floutier, Mathilde Vialle, viola da gamba
Thibaut Roussel, theorbo


To crown our season, the musical pleasures of the court of Louis XIII--elegant and formal, seldom heard--will be brought to life in a beautiful performance by the large forces of this expert ensemble making their San Diego debut. 

"[…] the performance, led by Sébastien Daucé, was musically exquisite, with eight superb young singers ideally blending purity and passion, and 13 members of Ensemble Correspondances filling the jewel-box Théâtre du Jeu de Paume with the visceral force of a symphony orchestra."  --- The New York Times
"The Ensemble Correspondances is undoubtedly top of the bill as far as French music of the baroque era is concerned" --- MusicWeb International



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San Diego Early Music Society

The San Diego Early Music Society is a non-profit organization founded to showcase
the musical treasures of Europe’s medieval, Renaissance, and Baroque periods,
as performed on period instruments and in accordance with historical practice.
The Society was established in 1981 and has presented concerts in churches, small halls,
​museums, ​and homes — settings for which the music was composed.

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